
Interprétation · Né(e) en 1921 · Roma, Lazio, Italy
Maria Michi (14 May 1921 – 7 April 1980) was an Italian supporting actress who worked with Roberto Rossellini on his two early neorealism masterpieces: Rome, Open City and Paisà. Michi worked first as a typist at a law firm, then as an usherette at Teatro Quattro Fontane in Rome. She was noticed and given small parts in the company of Sergio Tofano and Diana Torrieri during the 1942-1943 season. Critic Irene Bignardi called her "a woman very near the resistance and the Communist Party". In 1948, she worked with Christian-Jaque in La Chartreuse de Parme. She was married in September 1949 to Duke Augusto Torlonia, and left the world of cinema for the theater, particularly working with director Guido Salvini. The marriage was annulled in San Marino in 1956. She resumed her film career in the 1960s and 1970s, when she did 12 films, including Bernardo Bertolucci's Last Tango in Paris and Tinto Brass's Salon Kitty, her last film. Description above from the Wikipedia article Maria Michi, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Madame Kitty
1976
1976 · Hilde

Vertiges
1975
1975 · la pazza aggressiva

Irene, Irene
1975
1975 · Maria

Blu Gang e vissero per sempre felici e ammazzati
1973
1973 · Mama Blue

Le Salopard
1973
1973 · Princess

Le Dernier Tango à Paris
1972
1972 · Rosa's Mother

Mais... qu'avez vous fait à Solange
1972
1972 · Brenda's Mother (uncredited)

Mont-Dragon
1970
1970 · Hortense Dubois - la femme d'Armand

La Rupture
1970
1970 · La Troisième Parque

La monaca di Monza
1969
1969 · Sister Bianca Homati

Droit de la Guerre
1961
1961 · signora Macusar

La Chartreuse de Parme
1948
1948 · Marietta

L'altra
1947
1947 · 'Angelo' Morelli

Preludio d'amore
1947
1947 · Tea

Fatalità
1947
1947 · Paola

Païsa
1946
1946 · Francesca

Rome, ville ouverte
1945
1945 · Marina Mari
Rome, ville ouverte
1945