
R茅alisation 路 N茅(e) en 1921 路 Fort de Kock, Dutch East Indies
Usmar Ismail (born March 20, 1921 - January 2, 1971) was an Indonesian film director, producer, and screenwriter. He is dubbed the godfather of Indonesian films. The date of Indonesia's National Film Day (March 30), is dated from the first day of shooting Darah dan Doa (1950), Ismail's third film. His talents further developed while working at Keimin Bunka Sidosho (the Japanese Cultural Center Headquarters). There, he collaborated with Armijn Pane and other cultural figures to stage theatrical performances. In 1943, he founded and became the chairman of the theater group Sandiwara Penggemar "Maya" along with Abu Hanifah, Rosihan Anwar, Cornel Simanjuntak, Sudjojono, H.B. Jassin, and others. After the proclamation of independence, Usmar served in the military and became actively involved in journalism in Jakarta. When the Dutch returned with Allied forces, he joined the Indonesian National Army (TNI) in Yogyakarta with the rank of major. Along with his colleagues Sjamsuddin Sutan Makmur and Rinto Alwi, they established a newspaper named Rakyat. In the field of editorial work and journalism, Usmar was one of the founders and editors of Harian Patriot, the editor of the monthly magazine Arena in Yogyakarta (1948), and Gelanggang in Jakarta (1966-1967). He also served as the chairman of the Indonesian Journalists Association (1946-1947). During his time as a journalist, Usmar was imprisoned by the Dutch for allegedly engaging in subversive activities. At the time, he was working as a political reporter at Kantor Berita Antara and was covering the Dutch-Indonesian negotiations in Jakarta. This incident occurred in 1948. In his later career, Usmar developed a more serious interest in filmmaking. He became actively involved in organizations related to theater and film. He served as chairman of the Yogyakarta Cultural Deliberation Body (1946-1948), chairman of the Yogyakarta Artists Theater Association (1946-1948), chairman of the Indonesian National Theater Academy in Jakarta (1955-1965), and chairman of the National Film Deliberation Body (BMPN). BMPN played a key role in urging the government to establish the "National Film Development Policy" in 1967. He was known as a co-founder of the Indonesian National Film Company with Djamaluddin Malik and other film entrepreneurs, eventually becoming its chairman from 1954 to 1965.

Incontro d'amore
1970
1970 路 R茅alisation

Ananda
1970
1970 路 R茅alisation

Dusun Besar
1969
1969 路 R茅alisation
Ja Mualim
1968
1968 路 R茅alisation
Menjusuri Djedjak Berdarah
1967
1967 路 Producer

Dibalik Tjahaja Gemerlapan
1966
1966 路 Producer

Liburan Seniman
1965
1965 路 R茅alisation
Anak-anak Revolusi
1964
1964 路 R茅alisation
Masa Topan dan Badai
1963
1963 路 Producer

Bayangan Diwaktu Fajar
1962
1962 路 R茅alisation

Anak Perawan di Sarang Penyamun
1962
1962 路 R茅alisation
Toha, Pahlawan Bandung Selatan
1961
1961 路 R茅alisation

Amor dan Humor
1961
1961 路 R茅alisation

Pedjuang
1960
1960 路 R茅alisation
Laruik Sandjo
1960
1960 路 R茅alisation

Korban Fitnah
1959
1959 路 R茅alisation

Asrama Dara
1958
1958 路 R茅alisation

Djendral Kantjil
1958
1958 路 Producer

Tjambuk Api
1958
1958 路 Producer

Delapan Pendjuru Angin
1957
1957 路 R茅alisation
Sengketa
1957
1957 路 R茅alisation

Tiga Buronan
1957
1957 路 Producer

Tiga Dara
1956
1956 路 Tamsil

Lagi-Lagi Krisis
1955
1955 路 R茅alisation

Tamu Agung
1955
1955 路 R茅alisation

After the Curfew
1954
1954 路 R茅alisation

Heboh
1954
1954 路 Producer
Kafedo
1953
1953 路 R茅alisation
Krisis
1953
1953 路 R茅alisation

Harimau Tjampa
1953
1953 路 Producer

Terimalah Laguku
1952
1952 路 Producer

Embun
1951
1951 路 Story

Enam Djam di Jogja
1951
1951 路 R茅alisation

Dosa Tak Berampun
1951
1951 路 R茅alisation

Darah dan Do'a
1950
1950 路 R茅alisation
Tjitra
1949
1949 路 R茅alisation
Harta Karun
1949
1949 路 R茅alisation
Krisis
1953